- #Nikon film camera iso
- #Nikon film camera plus
It weighs so little that users won’t notice it, even after an eight hour hike up a literal mountain. A bit thicker than the Olympus Mju II, a bit smaller than the Nikon 元5AF. It’s a charming camera that makes all the right noises and looks good doing it. What a time to be alive and taking pictures.Īnd even though 2002 was a long time ago, I think this camera still looks gorgeous. The compact champagne body, the cutting-edge LCD display, the glimmering gold accents hinting that the owner certainly paid attention to their 401k when not listening to Enya’s Only Time. When the Nikon Lite Touch Zoom 70 WS was released almost twenty years ago, it would have been a sleek and capable camera among the very best point-and-shoots to ever grace a Circuit City camera department.
#Nikon film camera iso
Non DX-coded and 200 ISO films will set camera to 100.
ISO Range – ISO 100 and 400 set automatically by DX coding. #Nikon film camera plus
Built-in flash with four modes – auto, suppressed, forced and slow-synch, plus red-eye reduction Range of 3.3m at 28mm and ISO 100.Self-timer – 10 seconds, cancellation possible.Includes parallax marks and autofocus frame, LEDs for ready, flash charging, focus achieved Viewfinder – Real-image zooming finder with 80% coverage.
Lens – Coated Nikon Zoom Macro 28-70mm, f/5.6 – f/10 (5 elements in 4 groups). It was mostly this lens, capable of shooting 28mm wide angle photos on the wide end of its zoom, which made the camera special in its own day, and its this same lens which makes it a relatively uncommon and relatively desirable camera today. The main feature that sets the Lite Touch Zoom 70 WS apart from the myriad similar cameras which happily flooded the market (and occupied the fanny packs and purses of Disney dads and soccer moms of the ’90s) is the lens, which offered a better-than-average range of focal lengths. Like many point and shoot film cameras from the early 2000s, the Lite Touch Zoom 70 WS defies flowery descriptors and excessive prose. That’s how we use it, and that’s how it works. Load film, flick open the sliding lens cover (which doubles as an On/Off switch), point it at whatever it is you want to photograph, and press the shutter release button. Auto-focus, auto-flash, auto-exposure, auto-film advance and rewind, auto-ISO setting through DX coding. And it’s made to make those photos with virtually zero effort from the photographer. As such, it’s made to fit in a pocket and be ready whenever you need to take a photo. I feel like you should know this by now, but for those who’ve not had their morning coffee… The Nikon Lite Touch Zoom 70 WS is an advanced and compact point and shoot 35mm film camera. Here’s a quick look at the Nikon Lite Touch Zoom 70 WS. I shot one for a few months this past year during a vacation to New Hampshire, and again during a vacation to Walt Disney World. One of Nikon’s final compact 35mm film cameras, the Nikon Lite Touch Zoom 70 WS from the year 2002 enjoys all of the (significant) advances inherited by compact film cameras throughout the 1990s. They were, incidentally, also the class of camera which benefited from the greatest amount of research and development. And toward the end of film camera development in the late-1990s and early 2000s, compact point and shoot film cameras were the most popular and best-selling film cameras being made. Film cameras simply got better and better, year after year, until digital imaging technology disincentivized investment in film camera development by the camera companies.įor this reason, it’s easy and correct to say that the latest film cameras were (and remain) the best film cameras. Automotive industry’s technical progression. There was never a period of time where camera technology went backward for a decade as has happened at times in other industries, for example, the times when excessive government legislation has temporarily checked the U.S. 
For those who missed it, the trajectory was continually up. I’ve written elsewhere about the trajectory of film camera development throughout the hundred years between 19. But I’ll stop whining about the way the world (or internet influencing) works and get to the point – you shouldn’t ignore compact 35mm film cameras with zoom lenses. And sometimes, zoom lens point and shoots are best. Prime lens point and shoots are sometimes very good, and sometimes they’re not. But broad proclamations like these aren’t nuanced enough to be valuable. The dominant opinion on compact point and shoot film cameras is that the only ones worth owning are the ones with prime lenses.
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